Attention without feeling is only a report: “Life exists only because of a myriad of synchronicities that bring us to this particular place at this particular moment. In return for such a gift, the only sane response is to glitter in reply. Knowing the fractal geometry of an individual snowflake makes the winter landscape even more of a marvel. Knowing the mosses enriches our knowing of the world. Mosses and other small beings issue an invitation to dwell for a time right at the limits of ordinary perception. All it requires of us is attentiveness. Look in a certain way and a whole new world can be revealed. Learning to see mosses is more like listening than looking. A cursory glance will not do it. Starting to hear a faraway voice or catch a nuance in the quiet subtext of a conversation requires attentiveness, a filtering of all the noise, to catch the music. Mosses are not elevator music; they are the intertwined threads of a Beethoven quartet.” So writes one of the world’s leading botanists, Robin Wall Kimmerer, in her masterwork Gathering Moss: A Natural and Cultural History of Mosses — an extraordinary celebration of smallness and the grandeur of life, as humble yet surprisingly magical as its subject.
Maria Popova, whose special gift is to act as a conduit for the world’s greatest intellects through her magnificent literary newsletter Brain Pickings, writes that Kimmerer, thanks in part to her American Indian heritage, is a scientist who “extends an uncommon and infectious invitation to drink in the vibrancy of life at all scales and attend to our world with befitting vibrancy of feeling…a profound respect for all life forms, whatever their size — coupled with a special talent for rendering that respect contagious.”
As Popova writes: “Kimmerer is a formally trained scientist whose powers of poetic observation and contemplative reflection render her a de facto poet and philosopher. So bewitching is her book, in fact, that it inspired Elizabeth Gilbert’s beautiful novel The Signature of All Things.
“Mosses, to be sure, are scientifically impressive beyond measure — the amphibians of vegetation, they were the first plants to emerge from the ocean and conquer the land; they number some 22,000 species, whose tremendous range of size parallels the height disparity between a blueberry bush and a redwood; they inhabit nearly every ecosystem on earth and grow in places as diverse as the branch of an oak and the back of a beetle. But beyond their scientific notoriety, mosses possess a kind of lyrical splendor that Kimmerer unravels with enchanting elegance — splendor that has to do with what these tiny organisms teach us about the art of seeing.
“She uses the experience of flying — an experience so common we’ve come to take its miraculousness for granted — to illustrate our all too human solipsism: ‘Between takeoff and landing, we are each in suspended animation, a pause between chapters of our lives. When we stare out the window into the sun’s glare, the landscape is only a flat projection with mountain ranges reduced to wrinkles in the continental skin. Oblivious to our passage overhead, other stories are unfolding beneath us. Blackberries ripen in the August sun; a woman packs a suitcase and hesitates at her doorway; a letter is opened and the most surprising photograph slides from between the pages. But we are moving too fast and we are too far away; all the stories escape us, except our own.
“We, of course, need not rise to the skies in order to fall into the chronic patterns of our myopia and miss most of what is going on around us — we do this even in the familiar microcosm of a city block.”
Kimmerer considers how our growing powers of technologically aided observation have contributed to our diminished attentiveness: “We poor myopic humans, with neither the raptor’s gift of long-distance acuity, nor the talents of a housefly for panoramic vision. However, with our big brains, we are at least aware of the limits of our vision. With a degree of humility rare in our species, we acknowledge there is much we can’t see, and so contrive remarkable ways to observe the world. Infrared satellite imagery, optical telescopes, and the Hubble space telescope bring vastness within our visual sphere. Electron microscopes let us wander the remote universe of our own cells. But at the middle scale, that of the unaided eye, our senses seem to be strangely dulled. With sophisticated technology, we strive to see what is beyond us, but are often blind to the myriad sparkling facets that lie so close at hand. We think we’re seeing when we’ve only scratched the surface. Our acuity at this middle scale seems diminished, not by any failing of the eyes, but by the willingness of the mind. Has the power of our devices led us to distrust our unaided eyes? Or have we become dismissive of what takes no technology but only time and patience to perceive? Attentiveness alone can rival the most powerful magnifying lens.
But the rewards of attentiveness can’t be forced into manifesting — rather, they are surrendered to: “A Cheyenne elder of my acquaintance once told me that the best way to find something is not to go looking for it. This is a hard concept for a scientist. But he said to watch out of the corner of your eye, open to possibility, and what you seek will be revealed. The revelation of suddenly seeing what I was blind to only moments before is a sublime experience for me. I can revisit those moments and still feel the surge of expansion. The boundaries between my world and the world of another being get pushed back with sudden clarity an experience both humbling and joyful. Having words for these forms makes the differences between them so much more obvious. With words at your disposal, you can see more clearly. Finding the words is another step in learning to see. Intimacy gives us a different way of seeing, when visual acuity is not enough.”
Schistostega pennata, also called the Goblins’ Gold, or luminous moss or luminescent moss, is a moss known for its glowing appearance in dark places. It is the only member of the family Schistostegaceae and is unlike any other moss.
It can be found in caves across Japan, China, Europe and North America, and exists at the furthest edges of light, where no other plant can survive.
Kimmerer writes: “It is a paragon of minimalism, simple in means, rich in ends. So simple you might not recognize it as a moss at all. The more typical mosses on the bank outside spread themselves to meet the sun. Such robust leaves and shoots, though tiny, require a substantial amount of solar energy to build and maintain. They are costly in solar currency. Some mosses need full sun to survive, others favor the diffuse light of clouds, while Schistostega lives on the clouds’ silver lining alone. The shimmering presence of Schistostega is created entirely by the weft of nearly invisible threads crisscrossing the surface of the moist soil. It glows in the dark, or rather it glitters in the half light of places which scarcely feel the sun.
“Each filament is a strand of individual cells strung together like beads shimmering on a string. The walls of each cell are angled, forming interior facets like a cut diamond. It is these facets which cause Schistostega to sparkle like the tiny lights of a far-away city. These beautifully angled walls capture traces of light and focus it inward, where a single large chloroplast awaits the gathering beam of light. Packed with chlorophyll ad membranes of exquisite complexity, the chloroplast converts the light energy into a stream of flowing electrons. This is the electricity of photosynthesis, turning sun into sugar, spinning straw into gold. Rain on the outside, fire on the inside. I feel a kinship with this being whose cold light is so different from my own. It asks very little from the world and yet glitters in response.
“Timing is everything. Just for a moment, in the pause before the earth rotates again into night, the cave is flooded with light. The near-nothingness of Schistostega erupts in a shower of sparkles, like green glitter spilled on the rug at Christmas… And then, within minutes, it’s gone. All its needs are met in an ephemeral moment at the end of the day when the sun aligns with the mouth of the cave… Each shoot is shaped like a feather, flat and delicate. The soft blue green fronds stand up like a glad of translucent ferns, tracking the path of the sun. It is so little. And yet it is enough. The combination of circumstances which allows it to exist at all are so implausible that the Schistostega is rendered much more precious than gold. Goblins’ or otherwise. Not only does its presence depend on the coincidence of the cave’s angle to the sun, but if the hills on the western shore were any higher the sun would set before reaching the cave… Its life and ours exist only because of a myriad of synchronicities that bring us to this particular place at this particular moment. In return for such a gift, the only sane response is to glitter in reply.”