By Jojo Moyes

Below is an extract from Giver of Stars, the new book out this month from best selling author Jojo Moyes.

Inspired by a true story, the book recounts the tale of five women living in perilous times. For a start, Alice Wright has travelled halfway across the world to escape her stifling life in England. Handsome American businessman Bennett Van Cleve represents a fresh start. But she soon realises that swapping the twitching curtains of suburbia for newlywed life in the wild mountains of Kentucky isn’t the answer to her prayers.


20 December 1937

Listen. Three miles deep in the forest just below Arnott’s Ridge, and you’re in silence so dense it’s like you’re wading through it. There’s no birdsong past dawn, not even in high summer, and especially not now, with the chill air so thick with moisture that it stills those few leaves clinging gamely to the branches. Among the oak and hickory nothing stirs: wild animals are deep underground, soft pelts intertwined in narrow caves or hollowed-out trunks. The snow is so deep the mule’s legs disappear up to his hocks, and every few strides he staggers and snorts suspiciously, checking for loose flints and holes under the endless white. Only the narrow creek below moves confidently, its clear water murmuring and bubbling over the stony bed, headed down towards an endpoint nobody around here has ever seen.

Margery O’Hare tests her toes inside her boots, but feeling went a long time back and she winces at the thought of how they’re going to hurt when they warm up again. Three pairs of wool stockings, and in this weather you might as well go barelegged. She strokes the big mule’s neck, brushing off the crystals forming on his dense coat with her heavy men’s gloves.

‘Extra food for you tonight, Charley boy,’ she says, and watches as his huge ears flick back. She shifts, adjusting the saddlebags, making sure the mule is balanced as they pick their way down towards the creek. ‘Hot molasses in your supper. Might even have some myself.’

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Four more miles, she thinks, wishing she had eaten more breakfast. Past the Indian escarpment, up the yellow pine track, two more hollers, and old Nancy will appear, singing hymns as she always does, her clear, strong voice echoing through the forest as she walks, arms swinging like a child’s, to meet her.

‘You don’t have to walk five miles to meet me,’ she tells the woman, every fortnight. ‘That’s our job. That’s why we’re on horseback.’

‘Oh, you girls do enough.’

She knows the real reason. Nancy, like her bedbound sister, Jean, back in the tiny log cabin at Red Lick, cannot countenance even a chance that she will miss the next tranche of stories. She’s sixty-four years old with three good teeth and a sucker for a handsome cowboy: ‘That Mack McGuire, he makes my heart flutter like a clean sheet on a long line.’ She clasps her hands and lifts her eyes to Heaven. ‘The way Archer writes him, well, it’s like he steps right out of the pages in that book and swings me onto his horse with him.’ She leans forward conspiratorially. ‘Ain’t just that horse I’d be happy riding. My husband said I had quite the seat when I was a girl!’

‘I don’t doubt it, Nancy,’ she responds, every time, and the woman bursts out laughing, slapping her thighs like this is the first time she’s said it.

A twig cracks and Charley’s ears flick. Ears that size, he can probably hear halfway to Louisville. ‘This way, boy,’ she says, guiding him away from a rocky outcrop. ‘You’ll hear her in a minute.’

‘Goin’ somewhere?’

Margery’s head snaps around.

He is staggering slightly, but his gaze is level and direct. His rifle, she sees, is cocked, and he carries it, like a fool, with his finger on the trigger. ‘So you’ll look at me now, will ya, Margery?’

She keeps her voice steady, her mind racing. ‘I see you, Clem McCullough.’

‘I see you, Clem McCullough.’ He spits as he repeats it, like a nasty child in a schoolyard. His hair stands up on one side, like he’s slept on it. ‘You see me while you’re lookin’ down that nose of yours. You see me like you see dirt on your shoe. Like you’re somethin’ special.’

She has never been afraid of much, but she’s familiar enough with these mountain men to know not to pick a fight with a drunk. Especially one bearing a loaded gun.

She conducts a swift mental list of people she may have offended — Lord knows there seem to be a few — but McCullough? Aside from the obvious, she can find nothing.

‘Any beef your family had with my daddy, that’s buried with him. It’s only me left, and I ain’t interested in blood feuds.’

McCullough is directly in her path now, his legs braced in the snow, his finger still on the trigger. His skin has the purple-blue mottle of someone too drunk to realize how cold he is. Probably too drunk to hit straight, but it’s not a chance she wants to take.

She adjusts her weight, slowing the mule; her gaze slides sideways. The banks of the creek are too steep, too dense with trees for her to get past. She would have to persuade him to move or ride right over him, and the temptation to do the latter is strong.

The mule’s ears flick back. In the silence she can hear her own heartbeat, an insistent thump in her ears. She thinks absently that she’s not sure she’s ever heard it this loud before. ‘Just doing my job, Mr McCullough. I’d be obliged if you’d let me pass.

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He frowns, hears the potential insult in her too-polite use of his name, and as he shifts his gun she realizes her error.

‘Your job . . . Think you’re so high and mighty. You know what you need?’

He spits noisily, waiting for her answer. ‘I said, do you know what you need, girl?’

‘Suspect my version of what that might be is going to differ a mile or two from yours.’

‘Oh, you got all the answers. You think we don’t know what you all have been doing? You think we don’t know what you’ve been spreading among decent God-fearing women? We know what you’re up to. You got the devil in you, Margery O’Hare, and there’s only one way to get the devil out of a girl like you.’

‘Well, I’d sure love to stop and find out, but I’m busy with my rounds, so maybe we can continue this –’

‘Shut up!’

McCullough raises his gun. ‘Shut that damn mouth of yours.’

She clamps it shut.

He takes two steps closer, his legs spread and braced. ‘Git off the mule.’

Charley shifts uneasily. Her heart is an ice pebble in her mouth. If she turns and flees, he’ll shoot her. The only route here follows the creek; the forest floor is hardscrabble flint, the trees too dense to find a way forward. There’s nobody for miles, she realizes, nobody except old Nancy making her way slowly across the mountaintop.

She’s on her own, and he knows it.

His voice lowers. ‘I said git down, now.’ He takes two steps closer, his footsteps crunching in the snow.

And there is the bare truth of it, for her and all the women around here. Doesn’t matter how smart you are, how clever, how self-reliant — you can always be bettered by a stupid man with a gun. The barrel of his rifle is so close now that she finds herself gazing down two infinite black holes. With a grunt he drops it abruptly, letting it swing behind him on its strap and grabs at her reins. The mule wheels, so that she lurches forward clumsily onto his neck. She feels McCullough claw at her thigh as he reaches back for his gun with his other hand. His breath is sour with drink, and his hand is scaled with dirt; every cell of her body recoils at the feel of it.

And then she hears it, Nancy’s voice in the distance.

Oh, what peace we often forfeit!

Oh, what needless pain we bear –

His head lifts. She hears a No!, and some distant part of her recognizes with surprise that it has emerged from her own mouth. His fingers grab and pull at her, one arm reaching for her waist, throwing her off-balance; in his determined grip, his rank breath, she feels her future morphing into something black and awful. But the cold has made him clumsy. He fumbles as he reaches for his gun again, his back to her, and at that moment she sees her chance. She reaches behind into her saddlebag with her left hand, and as he turns his head she drops the reins, grabs the other corner with her right fist, and swings the heavy book as hard as she can, smack, into his face. His gun goes off, the sound a three-dimensional crack! ricocheting off the trees, and she hears the singing briefly silenced, the birds rising into the sky — a shimmering black cloud of flapping wings. As McCullough drops, the mule bucks and lurches forward in fright, stumbling over him, so that she gasps and has to grab the horn of the saddle to stay on.

And then she is off along the creek bed, her breath tight in her throat, her heart pounding, trusting the mule’s sure feet to find a hold in the splashing icy water, not daring to look back to see if McCullough has made it to his feet to come after her.