GATHERING MOSS: GOBLIN’S GOLD AND A MYRIAD OF SYNCHRONISITIES
Attention without feeling is only a report: “Life exists only because of a myriad of synchronicities that bring us to this particular place at this particular moment. In return for such a gift, the only sane response is to glitter in reply. Knowing the fractal geometry of an individual snowflake makes the winter landscape even more of a marvel. Knowing the mosses enriches our knowing of the world. Mosses and other small beings issue an invitation to dwell for a time right at the limits of ordinary perception. All it requires of us is attentiveness. Look in a certain way and a whole new world can be revealed. Learning to see mosses is more like listening than looking. A cursory glance will not do it. Starting to hear a faraway voice or catch a nuance in the quiet subtext of a conversation requires attentiveness, a filtering of all the noise, to catch the music. Mosses are not elevator music; they are the intertwined threads of a Beethoven quartet.” So writes one of the world’s leading botanists, Robin Wall Kimmerer, in her masterwork Gathering Moss: A Natural and Cultural History of Mosses — an extraordinary celebration of smallness and the grandeur of life, as humble yet surprisingly magical as its subject.
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